THE ARTISTIC EXPRESSION OF THE FEMALE PSYCHE IN ISAJON SULTAN'S NOVEL "ALISHER NAVOI"
Downloads
Objective: This study aims to explore the artistic expression of the female psyche in Isajon Sultan's novel "Alisher Navoi," focusing on the portrayal of historical and fictional female characters within the socio-cultural and political context of the Timurid era. Method: Utilizing a qualitative literary analysis approach, the research examines the narrative techniques, character development, and psychological portrayal employed by the author to depict female characters, such as Qutbiya, Gavharshodbegim, and Khadijah Begum. Results: The analysis reveals that Sultan effectively integrates historical authenticity with artistic imagination to highlight women's roles in historical processes, emphasizing their emotional depth, socio-political influence, and maternal instincts. The nuanced depiction of their inner worlds not only enriches the narrative but also challenges traditional literary stereotypes by presenting women as complex, multidimensional figures. Novelty: This study contributes to Uzbek literary criticism by offering a comprehensive interpretation of female representation in historical fiction, illustrating how Sultan's work transcends conventional gender portrayals through a blend of historical realism and psychological insight.
I. Eshmatov et al., “Adaptation of imported goats to the natural climate conditions of Uzbekistan,” E3S Web of Conferences, vol. 258, p. 4030, 2021, doi: 10.1051/e3sconf/202125804030.
M. Nasridinov and D. Usmonova, “EXPOSITION FUNCTIONS IN THE NOVEL ‘THE JUNGLE BOOK,’” International Journal Of Literature And Languages, vol. 02, no. 05, pp. 22–28, May 2022, doi: 10.37547/ijll/volume02issue05-05.
A. A. Allaberganov, Технико-криминалистическая экспертиза документов в цифровой форме. Знание-М, 2022. doi: 10.38006/00187-076-0.2022.1.100.
U. A. KHMEDKHODJAEVA, “MAIN TENDENCIES IN DEVELOPMENT OF LANDSCAPE GENRE IN NATIONAL PAINTING,” Art and Design: Social Science, vol. 03, no. 01, pp. 13–15, Jan. 2023, doi: 10.37547/ssa-v3-i1-5.
F. K. Pohl, “Language / Image / Object: The Work of Mirella Bentivoglio,” Woman’s Art Journal, vol. 6, no. 1, p. 17, 1985, doi: 10.2307/1358060.
H. Botirova, “Creation of farms in the southern regions of Uzbekistan,” INTERNATIONAL SCIENTIFIC JOURNAL “THE CAUCASUS AND THE WORLD,” Mar. 2023, doi: 10.52340/isj.2022.25.04.
P. H. Lee, Celebration of Continuity: Themes in Classic East Asian Poetry. Harvard University Press, 1979. doi: 10.4159/harvard.9780674492820.
A. Davronov, “TEACHING THE UZBEKI LANGUAGE THROUGH ARTISTIC FILMS AND ARTISTIC LITERATURE,” in TEACHING UZBEK LANGUAGE ABROAD: THEORY AND PRACTICE OF EDUCATION, in O‘ZBEK TILINING XORIJDA O‘QITILISHI: TA’LIM NAZARIYASI VA AMALIYOTI. Alisher Navo’i Tashkent state university of Uzbek language and literature, Apr. 2024, pp. 79–81. doi: 10.52773/tsuull.conf.2024.16.4/dtwn8094.
Z. Abdirashidov and R. Sotiboldiyeva, “Historical and Modern Approach to the Issue of Women and Society: Analyze Two Novels,” Bulletin of Science and Practice, vol. 5, no. 10, pp. 311–316, Oct. 2019, doi: 10.33619/2414-2948/47/37.
R. Warburton, “‘[A] Woman hath no … Reason to desire Children for her Own Sake’: Margaret Cavendish Reads Lee Edelman,” Lit: Literature Interpretation Theory, vol. 27, no. 3, pp. 234–251, Jul. 2016, doi: 10.1080/10436928.2016.1207276.
Copyright (c) 2025 Shomurotova Charos Ravshan qizi

This work is licensed under a Creative Commons Attribution 4.0 International License.














